If serendipity is a marker of success, then Turin Brakes may be the greatest band I know. My journey with them began when I strolled into the record store near where I worked in South Melbourne and their album ‘The Optimist’ was playing. I quickly bought the CD and fell in love with it. For younger readers, a ‘record store’ was a shop devoted solely to selling music…it was a bit like Spotify, except you got to drink the music one album at a time…instead of wrapping your mouth around a musical fire-hose. A ‘CD’ was like a digital download…but without any of the convenience. CD’s did however have ‘liner notes’ that you could spend hours reading and dissecting because the artists didn’t have wikipedia pages where you could learn everything you ever needed to know about them. For older readers ‘hours’ were the measurement of time you used to have up your sleeve, before you had kids, to do things you actually wanted to do.
‘The Optimist’ was on pretty high rotation as Katie and I prepared to get married, and even played a part in our wedding. When Turin Brakes released ‘Ether Song’ the next year, they were pretty much locked in as one of our favourite bands. Whether we driving in the car or cooking a meal, Turin Brakes became our soundtrack. The only thing better than listening to the harmonies of Olly and Gale, was listening to the harmonies that Katie would come up with singing along with them. It was an absolute certainty that we would see them when they toured.
However, from memory, one of the two key members of the group had a serious fear of flying, and while they were regularly touring the UK and parts of Europe, the lengthy flight to Australia was proving a bridge too far. Then suddenly, in what was clearly divine providence a tour was announced that would coincide with our 1 year wedding anniversary! What joy!
But proving that the God’s can indeed be cruel, we realised that we would be in Tasmania when they were playing in Melbourne…and in what can only be described as a cruel blow, they would be in Tasmania when we were in Melbourne.
So we missed out on seeing them.
I bought their next album ‘Jackinabox’ in 2005 and it was a cracker…but in the liner notes there were photos that were clearly taken down on the St. Kilda foreshore, and it served as a subtle reminder that they had been in Melbourne…and I hadn’t seen them.
By 2007 we had a 1yo child and I had started a slow decline into musical irrelevance. I simply no longer had the money or the time to stay on top of new music. I was also riding to and from work everyday and so was no longer listening to the radio to hear new songs…besides, to paraphrase Homer Simpson ‘Why do we need new music? Everyone knows it reached perfection in 2001!’
But then I heard Fee B Squared on the RRR-FM Breakfasters announce that she had a new track by a band called Turin Brakes and played ‘Stalker’. The song still had the beautiful harmonies…but also had a sense of self-assurance and urgency. My love for the band was reignited by the simple good fortune of listening to the radio at the right time. Best of all, I was able to walk into a JB HiFi and buy a CD that didn’t have dust on it!
The album was great, but over the next 10 years (and two further children) I well and truly lost touch with the band. I briefly reacquainted myself with them when I stumbled across Olly talking to Phillip Bloom a photographer/videographer whose work I really like, and who was unaware that he was in a video battle with Zack Arias to see if I would go with Canon or Fuji for my big camera purchase.
Then, one afternoon some friends came over and on the spur of the moment we decided to get some pizzas. I drove to collect them, and on the way home I happened to be listening to the radio when an ad for the Northcote Social Club came on, and among the list of bands they had coming soon, was Turin Brakes! Now the odds of me happening to be in the car, with the radio on instead of a podcast, and of the radio being on PBS-FM when the ad came on, and of them having Turin Brakes on the list of upcoming artists seemed pretty astronomical. In fact part of me was pretty sure that there was a hot new band called ‘Curing Snakes’ and I had simply misheard the ad. Nonetheless, when I got home I jumped on my phone and checked the Northcote Social Club website, and sure enough, Turin Brakes were coming to Melbourne, and playing a venue less than 3kms from my house! Needless to say, tickets were purchased quick smart.
Taking photos at the gig
So that’s where the story could have ended. ‘Boy finds band, boy loses band, boy finds band again.’ But as the gig drew closer, I realised that it would be an awesome opportunity to take some photos of the band at the show. I’d recently taken some photos next door at the 303 Bar and Danny Ross was happy with those shots, so I knew I could do it…I just had to work out how.
So I sent the Northcote Social Club an email explaining that I’d like to take some photos at the gig, and that I already had a ticket, so it wasn’t going to cost them anything. They explained that I would need to get a press pass from the company organising the tour (Bluesfest touring), and at this point I started to wonder if it was worth trying to get a press-pass just so that I could take some photos of a band that I liked. Also, Turin Brakes have a song called ‘Stalker’…and I was starting to wonder how ‘some guy says he’s a big fan and wants to come and take photos of you’ was going to sound.
But I also realised that a large part of my reticence was having to step out of my comfort zone, and while that is never pleasant, it’s usually where I learn the most. Plus, it really was a win-win. If the photos were good then the touring company got some free photos, and I got the chance to take some photos of a band I love that I could keep for the next 15 years until they toured again! So I sent the email, and a few emails later, I got the press pass.
I’d only ever shot at gigs where the band had invited me, so one of the first things I learned was that the photographers only get to shoot for the first three songs. I don’t know if this is so that the photographers don’t get to stay for a free show…but it does kinda suck, as bands rarely hit their straps until after the first three songs. Plus, it doesn’t give you a whole lot of time to work out which lenses and which settings work.
I decided I was going to rely pretty heavily on the 56mm as it handles the low-light so well…and is just a beautiful lens to work with. Plus I would take the 10-24mm so that I could at least get a few wide-angle shots that had the whole band.
I got the venue just before the support act started so that I could chat to the bar manager and get the lay of the land. The rules were pretty simple; First 3 songs, No flash, no backstage. I asked if seeing as I had a ticket if I could keep shooting…he said ‘no, that was the agreement they had with the touring company’. So I headed in to watch the support act, have a look at the lighting and try desperately to work out what was going to work in terms of settings.
In the interests of not making the non-photographers read this want to gouge their eyes out by banging on about the technical aspects of the photos, I will just say that the 56mm was awesome, and that the X-t1 is a genuine joy to shoot with. Beyond that, if you have any questions, hit me up in the comments and we’ll crap on about f-stops and shutter speeds until our virginity grows back.
- I shot just under 200 photos in the three songs with Turin Brakes and 3 songs with the support act (Lee Rosser), from this I got about 30 photos I was happy enough to keep and 12 photos I was happy enough to share.
- walking into that environment and acting like you belong makes a big difference.
- Drummers really do sit too far back for me to get a decent shot
- There are things that happen during songs after your 3 song limit that would make amazing photos…and you just have to look at them, acknowledge that they would have made a great photo, and die a little bit inside
- Getting to take photos of one of your favourite bands, and then stay up the front for the rest of the gig is pretty much a dream. Sure they didn’t stop halfway through a song and say ‘Wait, is that a Fuji camera? We love those. You should totally come backstage after the show, take moody portraits of us, then spend hours dissecting our lyrics before we all decide to appear on your podcast’…but you know…but it was still pretty awesome!
- Push yourself out of your comfort zone and take a chance!
- Turin Brakes were worth the 15 year wait.